An intimate close-up of a worn, handwritten setlist for Phil Collins Day lying on a dark, scuffed stage floor at Berry Park. The paper is taped down at the corners with matte black gaffer tape, showing song titles in bold marker with small doodles of drums and hearts in the margins. Nearby, coiled instrument cables, a drum key, and a small, glowing pedal with colored LEDs sit slightly out of focus, hinting at live performance energy. Dramatic, low stage lighting from the side creates high contrast, with bright highlights on the paper and deep, moody shadows around it. Photographic realism, shallow depth of field, low-angle close-up composition. The atmosphere is anticipatory, electric, and reverent toward the music that inspires the event.

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Each year at Berry Park, Williamsburg, we celebrate music and community while raising funds for Education Through Media.

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A playful, oversized event schedule board for Phil Collins Day leaning against a rooftop railing at Berry Park, designed like a retro recording studio interface, with sections labeled as different “tracks” and “sets.” The board is printed on sturdy matte foam-core with vibrant colors: deep navy background, neon accents, and whimsical icons of mixers, drums, and cassette tapes. Clothespins along a string above hold smaller cards listing community activities and media education workshops. The Brooklyn skyline is softly blurred behind, with evening light turning the sky peach and lavender. Photographic realism, eye-level framing using rule of thirds so the board anchors one side of the image. The mood is organized yet fun, clearly conveying the event’s playful personality and structured programming.